Death From Above 1979

FM96 Presents

Death From Above 1979

Metz

Sun, February 1, 2015

7:00 pm

$25.00 - $825.00

Death From Above 1979
Death From Above 1979
July 29th, 2014 — Globally revered and highly influential dance-punk duo Death From Above 1979 have announced that they will perform a very special show at Los Angeles' fabled Troubadourin West Hollywood on August 14th. Tickets go on sale August 1st and can be purchased via Ticketfly. The Troubadour show is a warm-up for the band's extensive European and U.S. headlining tour. Please visit on deathfromabove1979.com for dates and ticket buy links for those shows.

On July 8th, DFA 1979 revealed details regarding their eagerly anticipated new album, The Physical World, which will be released by Last Gang Records/Warner Bros. Records on September 9th, 2014. The digital pre-order is now up on iTunes and the exclusive album bundles are available from the band here. The first single, "Trainwreck 1979," is now available for purchase at all participating online retailers.

Produced by D. Sardy (Red Hot Chili Peppers, LCD Soundsystem, Wolfmother, Oasis), The Physical World comes a full ten years after the release of the band's universally acclaimed debut album, You're A Woman, I'm A Machine, which made Jesse F. Keeler (bass, synths, backing vocals) and Sebastien Grainger (vocals and drums), an underground /over ground sensation. DFA 1979 broke up in 2006 while the first album and subsequent remix album continued to sell inexplicably. They decided to reunite in 2011 and began to perform live picking up where they left off without missing a beat. Their rabid cult has only continued to amass just as inexplicably. Jesse and Sebastien sat down with the NME to talk about the new album release and reuniting. Earlier this spring, DFA 1979 released various clues, tidbits and sonic allusions surrounding a possible new album on deathfromabove1979.com. This is also the exclusive portal into the wormhole world into all things DFA 1979 now and in the future.
Metz
Metz
There was a time, in recent history, when you needed to have at least twelve members to even be considered a band in Canada. It was nearly impossible to tour if you didn't have access to some kind of personnel carrier, and making a record involved several years of tambourine overdubs. You know there were kids out there who just wanted to get in a van and play loud as hell through an Ampeg stack or a four-piece drum kit, but how could you call it a band if you didn't even know a French horn player? By 2008, band membership had reached a critical mass. You'd go to a show and you might be the only person in the room who wasn't playing an instrument. Hard times.

Thankfully, there are always a few naturally resourceful people who refuse to be intimidated or excluded from making their own wild racket in public. Alex Edkins, Hayden Menzies and Chris Slorach have been around long enough to know that if you can't fit it in the van, it's not worth bringing. METZ play like one brutally heavy instrument with three heads, slashing heavy-gauge strings, bending guitar and bass necks in weird unison, along with what is probably the loudest drumming you've ever heard. It's a return to everything that's good about loud, ecstatic live music; a frantic nod to Nation of Ulysses, Shellac, The Pixies, The Jesus Lizard, and Public Image Ltd. at their most vicious, while still carving out some heavy new business. They play the instruments, the amps, and the room.

Over the last three-and-a-half years, METZ have slayed in basements, skate shops, clubs, and festivals, sharing stages with Mission of Burma, Death from Above 1979, Archers of Loaf, Mudhoney, Oneida, Constantines, and NoMeansNo. I've seen a hundred jaws drop within the first four measures of their set. I once saw Alexander Hacke from Einstuerzende Neubauten approach Chris and rave about his bass tone.

It's a formidable task to try and capture such a powerful live band on record. Luckily, Graham Walsh (Holy Fuck) and Alexandre Bonenfant were more than up for it. Isolating the band in an old barn for a week with a portable recording rig, Walsh and Bonenfant were not only successful in documenting the unrelenting live force of the band, but they also managed to add some new and staggering sonic textures to the recording. Waves of organic feedback and fuzzed-out drones build the classic tension that eventually drops into each track's relentless, dissonant pulse. And somehow, the raddest thing about it all is the songwriting. It's not just riffs. It's something that some heavy bands don't get, but METZ do really well—and they do it collectively. It's a hell of an experience, listening to this thing.

With this, their debut album, METZ articulate with deafening clarity, what we've all known for some time: The world of good music needs a new power trio, and this is it.
Venue Information:
London Music Hall - CA
185 Queens Ave.
London, ON, N6A 1J1
http://www.londonmusichall.com/

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