Common Vision Tour w/ Every Time I Die, Real Friends & guests

unionevents.com presents:

Common Vision Tour w/ Every Time I Die, Real Friends & guests

Counterparts, Gnarwolves, Brigades, Gatherers

Fri, August 14, 2015

Doors: 6:00 pm / Show: 6:00 pm

$25.00 - $30.00

This event is all ages

PLEASE NOTE: THE DOOR TIME FOR THIS EVENT HAS BEEN CHANGED FROM 5:00 PM TO 6:00 PM. 

 

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Every Time I Die
Every Time I Die
Every Time I Die have never been an easy act to categorize and that's one of the key reasons why the band's fans have never turned their back on this innovative act's unique brand of music. While the band started out in the late '90s hardcore scene, over the past decade they've continued to evolve and push the boundaries of heavy music, a process that's culminating with their sixth full-length Ex Lives. Recorded by Joe Barresi (Tool, Queens Of The Stone Age) Ex Lives sees the band—vocalist Keith Buckley, guitarists Jordan Buckley and Andy Williams, drummer Ryan Leger—coming together to create the most forward-thinking album of their career.

"Everything about this record was new," Keith explains. "Normally I'm in a comfort zone when I write lyrics because I'm just holed up in my apartment but this time I was finding little corners of clubs in Europe with [side-project] the Damned Things trying to squeeze in a couple of hours of writing and I think that process really affected the way this album came together."


Keith adds that although Every Time I Die's party vibe has been well-documented in the past, Ex Lives saw the band approaching the album from a more serious perspective. "There's no song like 'We'rewolf' on this album," Keith explains. "I was pretty angry when we were writing these songs which isn't a good spot for a human being but is good if you're a guy singing in a band," he continues with a laugh. "I was just really angry and disappointed with a lot of things in my life at the time and I think that definitely comes through on a lot of these songs; I was wondering if it was all karma because I was a horrible person in a past life and that's where the album title came from."


From the syncopated chaos of the opening salvo "Underwater Bimbos From Outer Space" to the progressive mosh anthem "A Wild, Shameless Plain" and relentless metal riffage of "The Low Road Has No Exits," Ex Lives sees Every Time I Die further tempering their aggression while also implementing new instrumentation such as banjo (see the sinister intro of "Partying Is Such Sweet Sorrow") and, yes, flute (see the end of "Indian Giver") in order to recontextualize exactly what it means to be a heavy band, which is something that has endeared them to fans for thirteen years.


"I don't think us doing anything different is a surprise to Every Time I Die fans because one of the main reasons why a lot of people have stuck by us for so long is because they know they can expect the unexpected with each release," Keith explains, adding that if you listen close enough you'll take note of plenty of sonic subtleties on Ex Lives. "There are a lot of little weird things that I think people will start noticing more as they listen to the album," he elaborates. "I'd never added any keyboard or synthesizer elements to an Every Time I Die song before so it was a really cool opportunity to expand the sound on this disc."


Similarly Ex Lives also sees Keith pushing his limits on songs like "I Suck (Blood)," which proves how versatile the band's vocalist has become whether he's cathartically screaming or crooning an upper register melody. "On albums like [2007's] The Big Dirty no one heard my vocals until the album was totally done but on this one everyone had their input on what I was doing vocally and they could give me suggestions to improve them," Keith says, adding that this disc was more collaborative for the band. "I think I was also more energetic because I was nervous to sing in front of everyone."


It's impossible to deny that in an increasingly stagnant musical climate Every Time I Die are still pushing the limits of their own sound—and Ex Lives is aural evidence that after over a decade together they're anything but complacent. "I had to prove myself 100 percent from the beginning like I did when we put out our first record to show the other guys in Every Time I Die as well as myself that I could do this and I couldn't be happier with the end result," Keith summarizes when asked to describe Ex Lives. "This feels like a new band in a way… it's just its own thing and that feels really, really good."
Real Friends
Real Friends
Counterparts
Counterparts
Counterparts have come quite a long way since their formation in 2007. With a fan base that has progressively expanded beyond their home province, the young artists have toured Canada relentlessly since March 2009. The band's upward trajectory truly took off after the release of their debut full-length, Prophets, in February 2010. The Verona Records release turned heads across the country, as well as past its borders. The record proved to be an immediate hit among fans of the hardcore genre, simultaneously garnering praise from scene luminaries and newcomers. Its impact was bold and far-reaching, going so far as to earn the band several award nominations throughout Ontario. The positive response caused the band's touring regimen to quickly increase in intensity, with a slew of tours taking place both at home and in the United States alongside prominent hardcore acts such as Shai Hulud and It Prevails. At a point when most bands would take time off to relax, Counterparts proved themselves once again to be as hardworking as they come. In November 2010, the band released a split EP alongside Ontario-based hardcore unit Exalt. The EP was another instant hit among fans, and proved that the band still had plenty left to offer, both musically and lyrically, that had not been showcased on their debut.
In October 2011, Counterparts released The Current Will Carry Us via influential independent label Victory Records. The sophomore LP saw the band pursuing a more raw, straightforward sound, and achieving a new level of honesty through their lyrics. Tossing any idealistic rhetoric aside, TCWCU offers listeners an extremely introspective listening experience that depicts the band in their most sincere, vulnerable state. While the album marks a clear thematic departure from its predecessor, its unrestrained aggression makes an emotional impact that's even more genuine. The record's reception easily exceeded the expectations of the band members, landing them a selection as one of Alternative Press' "100 Bands You Need To Know In 2012" and solidifying plans for the group's first ever expedition into Europe, in which they would bring their unforgettable live presence to listeners who'd spent years anxiously awaiting the opportunity.
If there's one thing that's abundantly clear about Counterparts' career, it's that none of the success – the building of an incredibly passionate and supportive fan base – has come about without a great deal of struggle and sacrifice. Like many bands who strive to do things on their own terms, Counterparts have had to face adversity in many different forms, including being stricken down by legal sanctions, having their touring vehicle obliterated, and having to cope with the ill-fated return of a founding member. Counterparts' story, while perhaps still in its infancy, has been one of a constant battle to find stability in an increasingly unpredictable music landscape. Nonetheless, the band have consistently proven themselves to be steadfast in the face of any impediment that comes their way. After years of dutiful exertion, the band are finally entering an era in which the future looks bright, and they've been able to reach this plateau without once compromising any aspect of their art. Through sheer hard work and dedication, Counterparts have been able to overcome innumerable obstacles in order to hold on to their elusive dream. Armed with heart and hope, Counterparts plan on spreading their music and message as far and wide as humanly possible in the coming years.
Gnarwolves
Brighton based Gnarwolves formed in the later stages of 2011 and became an instant fixture of the local punk scene once they self-released their debut tape, 'Fun Club'. The trio quickly gained a reputation for playing house shows, skating and partying, and it wasn't long before the word spread, being named as Punktastic.com's "Ones To Watch" for 2012.
After signing to Tangled Talk for the release of their second EP 'CRU', the band began touring the UK. The band's furious live show is known to generate singsongs wherever it stops, and the band soon found themselves on bills with The Wonder Years, boysetsfire and Off With Their Heads. and also played Hevy Festival over the summer of 2012 before being announced as support to Lower Than Atlantis on their October 2012 tour.
Brigades
South Carolina I Pure Noise Records
Gatherers
Gatherers is a five piece hardcore band from New Jersey signed to Equal Vision Records.
Venue Information:
London Music Hall - CA
185 Queens Ave.
London, ON, N6A 1J1
http://www.londonmusichall.com/

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